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They did seven recordings, and played the Blue Note clubs in Japan as well as venues in the U. He played on countless jingles, albums, and soundtracks for television and movies. Records by Frank Sinatra, including Young At Heart and Ive Got You Under My Skin, featured Bain on guitar, as did records with his favorite male vocalist, Nat King Cole including Unforgettable.

Over the next 32 years they worked on many recordings, T. Miles’ group had been booked at another jazz club in L. Victor surprisingly declined, and Miles hired Herbie Hancock. He became a drum teacher at North Texas State University from 1982-84.

When Miles and the Band got to the club for a sound check there were some people there from some kind of board that said Tony, who was only 16 at the time, was too young to play in such a place! As a member of the rhythm section, Colin got to play for guest artists Duke Ellington, Count Basie, Dizzy Gillespie, Sarah Vaughan, Mel Torme, and June Christy, among others. He played most week-ends with Red Garland at a club in Dallas.

During this period, he worked and recorded with the Concord Records artists Howard Alden, Frank Vignola, Jimmy Bruno, and Stef Scaggiari.

In 1989 Joe Pass started up the Quartet that recorded For Django again. As Colin says “It was a bonus in life to have had that time playing with Joe and the group again.”Colin has toured extensively in the U. A., Japan, Europe, South America and Canada, with Benny Goodman, George Shearing, Richie Cole, Vic Damone, Ernestine Anderson, Al Hirt, Doc Severinsen, Carol Sloane, Susannah Mc Corkle and Joe Pass. Bain earned his place as the number one guitarist for many Hollywood studios in the 1950s and 60s.

For two weeks, as soon as Joe woke up every day, there I was with the practice pad. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop.

He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.Contribute your own data through our FORUMS – this chart will continue to grow and get updated frequently (even more frequently if YOU can help us! If submitting to us, PLEASE DOUBLE CHECK YOUR SUBMISSIONS AGAINST THE CURRENT DAY’S LIST AND ! Are you also looking for SHOWCASE SHOWDOWN PRICE LIST CHEATS & HINTS… Colin Bailey Born in Swindon, England on July 9th 1934, Colin Bailey began playing drums at age four. Below is a user submitted and collected chart that presents a rapidly updated answer list for Who Wants To Be A Millionaire game for Facebook. If you’re reading this, you’ve just hit the jackpot with the ultimate lifeline!He also studied piano and theory at an early age, and worked with English name bands from age eighteen. At that time he accompanied distinguished visiting jazz artists such as Dizzy Gillespie and Sarah Vaughan.

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